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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart. “I like it very much just as it is,” replied Uncle Isaac. Every one said that Uncle Isaac was awfully rich. Well, then, why did he look so sad and why was he always thinking and thinking so hard? What in the world could he be puzzling about when he was so rich? Why, he had everything, even to a saddle horse and a pleasure yacht; and the horse was a thoroughbred, according to Carlstrom the coachman..
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Early next morning the Prince returned to the city, where he knew his father would be in anxiety about him. The Prince told him that he had lost his way in the forest whilst hunting, and that he had slept in the hut of a woodcutter, who had given him black bread and cheese to eat. The menaces, and at length entreaties of the duke, to prevail with his son to abandon his present way of life, were equally ineffectual. Secure in his own power, Riccardo laughed at the first, and was insensible to the latter; and his father was compelled to relinquish the attempt. The duke, however, boldly and passionately accused him of having plundered and secreted a lady and cavalier, his friends, at the same time describing Julia, for whose liberation he offered large rewards. Riccardo denied the fact, which so much exasperated the duke, that he drew his sword with an intention of plunging it in the breast of his son. His arm was arrested by the surrounding banditti, who half unsheathed their swords, and stood suspended in an attitude of menace. The fate of the father now hung upon the voice of the son. Riccardo raised his arm, but instantly dropped it, and turned away. The banditti sheathed their weapons, and stepped back. Johnny Blossom made no answer to this remark, but got up quickly from his chair by the door and went over to the window where Aunt Grenertsen sat. In the lofty, echoing rooms everything had been left undisturbed: the furniture with its silken upholstery, the mirrors reaching from floor to ceiling, the great paintings that filled the walls, and the art treasures, gathered from every corner of the world. Many of these tapestries and vases and statues were extremely rare, but to Johnny Blossom they were only queer, especially a certain Indian idol with an ugly face made of gold. Why should any one want that?.
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